My rating: 4 of 5 stars
This is only the second collection of short stories that I am reviewing on this blog (here’s the first), and again I am finding the process unexpectedly challenging. All the short stories I try to write myself turn into novels, and I prefer to read novels. So maybe short story collections just aren’t my thing.
With that warning, I’d still highly recommend this book. I found it in a Facebook group for Cli-Fi authors, where the book’s editor, author Tanja Rohini Bisgaard, posts. And I’m surprised there aren’t more story collections like this competing for reviewer eyes and space. The variety of stories is broad, and the opening story, Still Waters by Kimberly Christensen, about the beaching suicide of a pod of whales in Puget Sound, which mirrors the disintegration of the protagonists’ relationship and their very lives, packs a huge emotional punch. I was worn out after reading it and I wasn’t sure that any of the other stories in the collection could match it. I was right; none of them did.
The rest are of more uneven quality, and all the choices are slanted towards North America and Europe (Bisgaard currently lives in Denmark), but the stories cover a wide range of protagonist ages, genders, professions, and voices, and an even wider range of consequences in the worlds imagined. Bisgaard’s own story, The Outcast Gem, is a moving tale of two sisters, one consigned to a shadow life as the consequence of a European one-child policy. I kept waiting for the other shoe to drop in Oakridge Train by Alison Haldermaand, a story about a young woman meeting her boyfriend’s family for the first time, but it didn’t. The people in that story actually seemed happy, and their world on the mend.
Other stories that I particularly enjoyed included Driftplastic by John A Frochio, about an artist who works with plastic trash as his medium, and Dear Henry by David Zetland, told entirely as a series of letters from one Henry H Sisson to the next, starting back in 1880. The last story, Willoy’s Launch by LX Nishimoto, about the CEO of a company that created intelligent, potentially world-saving, service robots, was kind of confusing to me. I didn’t always understand what was happening during the action sequences, or how Willoy was saving the world by holding down a button at the end. It’s good to end the book on a positive note, though, and I could totally see it as a movie.
That was perhaps my favorite aspect of this collection, and why it worked so well despite its flaws: it wasn’t all grim dystopia, there was little-to-no gratuitous violence, and a significant number of the protagonists were women. This collection is a creative mix that invites the reader to step into the minds and worlds of the characters, not merely watch and be entertained.